Everything about Ya Ar Kemal totally explained
Yaşar Kemal (born
Kemal Sadık Gökçeli) is one of
Turkey's leading writers. He has long been a candidate for the
Nobel Prize in Literature, on the strength of
Memed, My Hawk.
Life
He was born in
1923 in Hemite (now
Gökçedam), a
hamlet in the
province of
Osmaniye in southern
Turkey. He is of Kurdish origin. His parents were poor
Kurds from
Van, who came into
Çukurova during the
First World War. Kemal had a difficult childhood because he lost his right eye due to a knife accident, when his father was slaughtering a sheep on
Eid al-Adha, and had to witness as his father was stabbed to death by his adoptive son Yusuf while praying in a
mosque when he was five years old. This traumatic experience left Kemal with a speech impediment, which lasted until he was twelve years old. At nine he started school in a neighboring village and continued his formal education in
Kadirli,
Osmaniye Province.
According to a book-length epistolary interview, before he started school, Kemal was a locally noted bard, but was unappreciated by his widowed mother until he composed an elegy on the death of one of her eight brothers, all bandits. However, he forgot it and became interested in literacy as a means to record his work when he questioned an itinerant peddler, who was doing his accounts. Ultimately, his village paid his way to university in
Istanbul.
In his colorful account, he worked for a while for rich farmers, guarding their river water against other farmers' unauthorized irrigation. However, instead he taught the poor farmers how to steal the water undetected, by taking it at night.
Later he worked as a letter-writer, then as a journalist, and finally as a novelist. He claims that the Turkish police took his first two novels. He claims to have recreated Turkish as a literary language, by bringing in the vernacular, following
Mustafa Kemal Atatürk's sterilization of Turkish by removing foreign (Persian and Arabic) elements. As an outspoken intellectual, he doesn't hesitate to speak on sensitive issues such as the plight of the Kurds in Southeastern Turkey.
Marriages
In 1952, Yaşar Kemal married Thilda Serrero, a member of a prominent
Sephardi Jewish family in Istanbul. Her grandfather, Jak Mandil Pasha, was the chief physician of the Ottoman Sultan
Abdul Hamid II. She translated 17 of her husband’s works into English language. Thilda died on
January 17,
2001 They had one son.
Yaşar Kemal remarried on
August 1,
2002 with then 54-year-old Ayşe Semiha Baban, a lecturer for
public relations at
Bilgi University in Istanbul. She was educated at the
American University of Beirut,
Bosporus University and
Harvard University.
Work
He published his first book "Ağıtlar" (Ballads) in 1943, which was a compilation of folkloric themes. This book brings to light many long forgotten rhymes and ballads and Kemal started to collect these ballads at the age 16. His first stories "
Bebek" ("The Baby"), "
Dükkancı" ("The Shopkeeper"), "
Memet ile Memet" ("Memet and Memet") were published in 1950. He had written his first story "
Pis Hikaye" ("The Dirty Story") in 1944, while he was serving in the military, in
Kayseri. Then he published his book of short stories
Sarı Sıcak (Yellow Heat) in
1952. The initial point of his works was the toil of the people of the
Çukurova plains and he based the themes of his writings on the lives and sufferings of these people. Yaşar Kemal has used the legends and stories of
Anatolia extensively as the basis of his works. Italian composer
Fabio Vacchi adapted the same novel with the original title into an
opera of three acts, which premiered at the
Teatro alla Scala in
Milano,
Italy in 2007.
Bibliography
Stories
- Sarı Sıcak, (Yellow Heat) (1952)
Novels
İnce Memed (Memed, My Hawk) (1955)
Teneke (The Drumming-Out) (1955)
Orta Direk (The Wind from the Plain) (1960)
Yer Demir Gök Bakır (Iron Earth, Copper Sky) (1963)
Ölmez Otu (The Undying Grass) (1968)
Akçasazın Ağaları/Demirciler Çarşısı Cinayeti (The Agas of Akchasaz Trilogy /Murder in the Ironsmiths Market) (1974)
Akçasazın Ağaları/Yusufcuk Yusuf (The Agas of Akchasaz Trilogy / Yusuf, Little Yusuf) (1975)
Yılanı Öldürseler (To Crush the Serpent) (1976)
Al Gözüm Seyreyle Salih (The Saga of a Seagull) (1976)
Allahın Askerleri (God’s Soldiers) (1978)
Kuşlar da Gitti (The Birds Have Also Gone: Long Stories) (1978)
Deniz Küstü (The Sea-Crossed Fisherman) (1978)
Hüyükteki Nar Ağacı (The Pomegranate on the Knoll) (1982)
Yağmurcuk Kuşu/Kimsecik I (Kimsecik I - Little Nobody I) (1980)
Kale Kapısı/Kimsecik II (Kimsecik II - Little Nobody II)(1985)
Kanın Sesi/Kimsecik III (Kimsecik III - Little Nobody III) (1991)
Fırat Suyu Kan Akıyor Baksana (Look, the Euphrates is Flowing with Blood) (1997)
Karıncanın Su İçtiği (Ant Drinking Water) (2002)
Tanyeri Horozları (The Cocks of Dawn) (2002)
Epic Novels
Üç Anadolu Efsanesi (Three Anatolian Legends) (1967)
Ağrıdağı Efsanesi (The Legend of Mount Ararat) (1970)
Binboğalar Efsanesi (The Legend of the Thousand Bulls) (1971)
Çakırcalı Efe* (The Life Stories of the Famous Bandit Çakircali) (1972)
Reportages
Yanan Ormanlarda 50 Gün (Fifty Days in the Burning Forests) (1955)
Çukurova Yana Yana (While Çukurova Burns) (1955)
Peribacaları (The Fairy Chimneys) (1957)
Bu Diyar Baştan Başa (Collected reportages) (1971)
Bir Bulut Kaynıyor (Collected reportages) (1974)
Experimental Works
Ağıtlar (Ballads) (1943)
Taş Çatlasa (At Most) (1961)
Baldaki Tuz (The Salt in the Honey) (1959-74 newspaper articles)
Gökyüzü Mavi Kaldı (The Sky remained Blue) (collection of folk literature in collaboration with S. Eyüboğlu)
Ağacın Çürüğü (The Rotting Tree) (Artciles and Speeches) (1980)
Yayımlanmamış 10 Ağıt (10 Unpublished Ballads) (1985)
Sarı Defterdekiler (Contents of the Yellow Notebook) (Collected Folkloric works) (1997)
Ustadır Arı (The Expert Bee) (1995)
Zulmün Artsın (Increase Your Oppression) (1995)
Children's Books
Filler Sultanı ile Kırmızı Sakallı Topal Karınca (The Sultan of the Elephants and the Red-Bearded Lame Ant) (1977)
Awards and Distinctions
"Seven Days in the World's Largest Farm" reportage series, Journalist's Association Prize, 1955
Varlik Prize for Ince Memed (Memed, My Hawk), 1956
Ilhan Iskender Award for the play adapted from his book with the same name, Teneke (The Drumming-Out), 1966
The International Nancy Theatre Festival - First Prize for Teneke (The Drumming-Out), 1966
Madarli Novel Award for Demirciler Çarşısı (Murder in the Ironsmith's Market), 1974
Choix du Syndicat des Critiques Littéraires pour le meilleur roman etranger (Eté/Automne 1977) pour Terre de Fer, Ciel de Cuivre (Yer Demir, Gök Bakır).
Prix du Meilleur Livre Etranger 1978 pour L'Herbe qui ne meurt pas (Ölmez Otu); Paris, Janvier 1979.
Prix mondial Cino Del Duca decerné pour contributions a l'humanisme moderne; Paris, Octobre 1982.
Commandeur de la Légion d'Honneur de France; Paris, 1984.
The Sedat Simavi Foundation Award for Literature; Istanbul, Turkey, 1985.
Paris, Commandeur des Arts et des Lettres, 1988
Doctor Honoris Causa, Strasbourg University, France, 1991.
Doctor Honoris Causa, Akdeniz University, Antalya, Turkey, 1992.
Lillian Hellman/Dashiell Hammett Award for Courage in Response to Repression, Human Rights Watch, USA, 1996.
Peace Prize of the German Book Trade, Frankurt am Main, Germany, 1997.
Premio Internazionale Nonino for collected works, Italy, 1997
Bordeaux, Prix Ecureuit de Littérature Etrangère, 1998
Honorary Doctorate, Bilkent University, 2002
Z. Homer poetry Award, 2003
Savanos Prize (Thessalonika-Greece), 2003
Turkish Publisher's Association Lifetime Achievement Award, 2003
Further Information
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